PHENOMENALITY: *marvelous*
MYTHICITY: *poor*
FRYEAN MYTHOS: *adventure*
CAMPBELLIAN FUNCTION: *psychological, metaphysical*As is most often the case in Hollywood, the success of a given film—in this case 2010’s CLASH OF THE TITANS—begets sequels and derivatives capable of imitating only the simplest aspects of the thing imitated.
Louis Letterier’s CLASH had its own textual problems. Nevertheless, though it was riffing on the 1981 Ray Harryhausen film, it put forth a reasonably compelling story concerning the nature of the ancient Greeks’ belief in their gods, and managed to explicate the complicated interrelations of the family of the gods, their foes the Titans, and the mortals caught between their struggles.
In contrast to this, the sequel WRATH OF THE TITANS left me with one dominant impression: it knows how to blow stuff up real good.
The most mythic aspect of Letterier’s CLASH—that of the hero Perseus’ protection by and marriage to Io—is abandoned; Io is dead and gone at the time the film begins. In substitute Perseus will be linked up with his original bride from the Greek myth, Andromeda, whom he rescued in CLASH but did not marry. However, Andromeda plays so minor a role in the film that this aspect of Perseus’ adventures hardly matter.
Once more, the plot concerns the plot of vengeful death-god Hades to take over the reign of heaven and earth from his brother Zeus, in part by the device of releasing the long-imprisoned Titans and causing the usual chaos on Earth. In this endeavor Hades is aided by a traitor-god from Olympus, Ares the God of War. However, director Jonathan Leibesman devotes no time as to why Ares turns on his brethren. More time for explosions that way.
Similarly, though Sam Worthington once more essays the role of Perseus, it’s a Perseus who has no time for philosophical debates as to whether or not mortals owe anything to the gods, who, as Shakespeare more or less said, use them for their sport. Perseus gathers an army and proceeds to fight against the minions of Hades until he beats him. The End.
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