EVE (1968)

 



PHENOMENALITY: *uncanny* 
MYTHICITY: *poor*
FRYEAN MYTHOS: *adventure*
CAMPBELLIAN FUNCTION: *sociological, cosmological*

There's not much to recommend either of these two potboilers beyond the feminine charms of their protagonists.

EVE stars Celeste Yarnall as a blonde jungle-girl whose presence in the Amazon jungle is never very clearly explained. She rescues a treasure-hunter named Yates (Robert Walker Jr.) from some nasty tribesmen, but there's no instantaneous jungle-romance between the two of them: Yates learns that her name is Eve, thanks her, and goes back to civilization, and Eve seems content to stay in the jungle as before. Back in some Brazilian dive of a town, Yates makes contact with the rich man who's been funded the treasure-hunt, Colonel Stuart (Christopher Lee). Stuart has a new lead on the location of the treasure they're hunting, but for the first time, Yates meets Stuart's long-lost brunette granddaughter, whose name also happens to be Eve. It transpires that the brunette is a phony, merely posing as the grown-up Eve who was lost in the jungle, and that Phony Eve is really the wife of Stuart's rival Diego (Herbert Lom, playing a competitor slightly like Belloq in RAIDERS OF THE LOST ARK, but with none of the charm). Diego and his party, having ferreted out the info they wanted from Stuart, take off for their new destination. Yates pursues with a few helpers, manages to enlist Real Eve's help, and the good guys manage to get the treasure while the bad guys get dead.

Since Eve remains in the jungle even after becoming acquainted with her aged grandfather, I suspect that producer Harry Alan Towers, famous for his Fu Manchu films, had some hope of spinning the character off into a series. However, the action-scenes are humdrum, though Eve is at least a combative jungle-girl, unlike LUANA, which came about roughly at the same time. The actors-- Lom, Lee, and Yarnall-- are the film's only real charm, and Robert Walker Jr. does a credible job with his adventurous role, despite its not playing to his strengths. This was the second and last time co-director Jeremy Summers worked with Chris Lee following their collaboration on VENGEANCE OF FU MANCHU.

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