DRAGON SHOWDOWN (1966)

 

PHENOMENALITY: *marvelous*
MYTHICITY: *fair*
FRYEAN MYTHOS: *adventure*
CAMPBELLIAN FUNCTION: *metaphysical*

Long ago I saw on TV the English language version of this Japanese film, entitled MAGIC SERPENT, which allegedly had ten minutes cut out. This version aired on streaming with subtitles, suggesting that it represents the original cut of the Japanese production. Thus, I'll review it using the streaming title, even though the new English title also doesn't represent the literal Japanese title. I'm also informed that SHOWDOWN is a very free adaptation of a popular Japanese story, "Jiraiya," and indeed the hero of the movie changes his original name to Jiraiya over halfway through the story, so I'll refer to him by that name throughout the review.  

Jiraiya is a small child when usurpers-- the evil Daijo and his magician-ally Orochimaru-- slay Jiraiya's father Lord Ogata and Ogata's court. Some retainers escape with the child, but Orochimaru changes himself into a giant dragon and pursues the party. However, a huge eagle descends, claws the dragon's face, and bears Little Jiraiya away.

Ten years later, Jiraiya has become a young man (Hiroki Matsukata) living in forest-seclusion with his master Hiki, who has taught the young man both magic and swordcraft. Hiki changed himself into the eagle that saved the son of Lord Ogata because he had formerly been the tutor of Orochimaru (Ryutaro Otomo) before the latter turned his skills to evil. All of his life, Jiraiya has been honing his skills to overthrow the slayers of his family, and one day, the usurpers locate him. A small band of ninjas assault Jiraiya in the forest, but he defeats them all, in part through the use of magic in which his head detaches from his body-- easily the most memorable scene in the movie.

Once the ninjas are vanquished, Jiraiya also stumbles across a cute young woman nearby. He takes her presence for granted when she tells him she just happened by. In due time this will be revealed to be a falsehood, for the woman, name of Tsunade, is actually the offspring of Orochimaru. She's never met her father, though, and to some extent she attaches herself to Jiraiya so that she can get a chance just to meet the parent she never knew, just for her own peace of mind.

Like a lot of similar revenge-dramas, the first and third acts, depicting first the reason for revenge and then its culmination, are the strongest. The filmmakers adequately fill in the second act with incidental stuff-- Orochimaru seeking out Hiki and killing him, the introduction of a young boy with his own grudge against Daijo-- but not much of it is very memorable. But SHOWDOWN delivers a slam-bang kaiju finish, with Orochimaru's giant dragon fighting a giant toad conjured up by Jiraiya-- with the extra added attraction of a giant spider whipped up by Tsunade.  

Matsukata, who assumes a rather cheery attitude when not in battle, makes a good contrast with Otomo, whose dourness recalls that of the celebrated Toshiro Mifune. The FX are the main attraction, but I grade the mythicity as "fair" for having reproduced even the broad outlines of a famous myth, whether from folklore or literature. I was rather surprised that in one scene the soldiers of Daijo are shown bearing flintlock rifles, which presupposes contact with the Western world. This feels like a slight violation of the setting, since everything else in the movie invokes a world dominated by archaic magical beliefs. But for all I know, some literary versions of the original Jiraiya story may have crossed that line first.