BEHIND THE MASK OF ZORRO (1965)

 


PHENOMENALITY: *uncanny*
MYTHICITY: *poor*
FRYEAN MYTHOS: *adventure*
CAMPBELLIAN FUNCTION: *sociological*

BEHIND THE MASK OF ZORRO is a pleasant Zorro-pastiche. Like many of the Italian adventure-flicks cranked out in the 1960s, this one, directed by Ricardo Blasco, has a stylistic sameness about it, but it does deliver a few strong swordfight-scenes. Tony Russel, an actor of American birth (though he had Italian roots), puts across the requisite charm, and the production manages to work in more lovely ladies than the plot technically needs.

Though the plot follows the broad outlines of the Hollywood Zorro-films, the producers rang in some changes: the hero no longer sports the name Diego Vega, and instead of being a fey caballero, he's an apparently subservient valet who waits on the very people who are plundering California. (Did the producers fear the wrath of Disney, even though the Zorro teleseries had ended six years previous?) In the dubbed version I saw, the film's climax includes one memorable humorous moment: Zorro's assistants dress up like Russians (I forget why) and their spokesman speaks in gibberish that largely consists of Russian proper names piled atop one another.


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