PHENOMENALITY: *marvelous*
MYTHICITY: *poor*
FRYEAN MYTHOS: *adventure*
CAMPBELLIAN FUNCTION: *metaphysical*
The financial failure of the 2005 BLOODRAYNE did not impair Boll from getting two more outings in the DTV market. Kristanna Loken did not return for either film, and Natassia Malthe took her place. Oddly, Michael Pare appeared in all three films in the series, though he played a different role each time.
Heroine Rayne, formerly ginger like her video-game source, now sports light brown hair, and though she was last seen in 18th-century Europe, DELIVERANCE has her show up in the American West of the 1880s, with not even a passing comment about what she was doing for the past hundred years. Maybe the writers didn't want to touch on the fact that during that time she's probably been preying on humans to drink their blood, though not necessarily with fatal consequences. Rayne, now wearing standard western attire and riding a horse, seems to be making her way to the town of Deliverance. There's a snatch of dialogue to suggest that she knows someone there, but the matter never comes up again.
Providentially, Deliverance is just where the outlaw Billy the Kid (Zack Ward), for some reason a full vampire, decides to bring his vampire gang. He plans to spread the disease of vampirism until he can raise a vampire army to conquer the country. However, he takes over Deliverance and its quavering citizens as an opening gambit. (Said citizens include Chris Coppola as a reporter and Michael Pare as Sheriff Pat Garrett.) Most impressively for a hateworthy villain, Billy abducts all the children in town, planning to use them as "cover" when he starts sending his agents around the country. Even before Rayne shows up to get in Billy's face, he shows his utter depravity by fanging one of the kids to death in full view of his other juvenile hostages.
The pacing of the action here is much better than in the first film. Before coming to grips with the main villain, Rayne works her way through Billy's henchmen and inspires the townspeople to take up arms against the fiends. There aren't as many anachronisms this time either, though at one point Rayne tricks a non-vampire outlaw into letting her tie him to a bed for sex-games. Malthe is not as charismatic as Loken but Zack Ward is such a juicy evildoer that the climax is much improved, for all that Boll's staging of action-scenes is still only average. Although this version of Billy the Kid has nothing in common with the real outlaw, I would count this film as the only crossover in the Bloodrayne series.
Another sixty years just races by for the immortal dhampire, and now she's part of a resistance movement in WWII Germany, to say nothing of having her hair turn jet-black. (An attempt to make the character resemble Selene of the UNDERWORLD series, perhaps?) She's the only dhampire helping the underground, and not very secretly (she's first seen fighting Nazi soldiers with a bo-staff). Yet the Nazi high command is aware that vampires and their kindred exist. Commander Brand (Michael Pare) is in charge of an attempt to study vampire powers to see how they can be used for the benefit of the Reich. To this end the head scientist (Clint Howard) keeps one female vampire of gypsy extraction in a cell, seeking to learn if it might be possible to confer vampiric immortality upon Der Fuhrer himself.
To Rayne's chagrin, she accidentally confers vampirism on Brand when some of her shed blood splatters on him and enters his system. The creepy scientist locates more of Rayne's blood, creates two vampire pawns and sends them after the rebel, though she cuts them down easily with her swords. (Hey, doesn't everyone carry twin swords in a Nazi-held city?) Brant vampirizes an expert tracker in order to locate Rayne, but Rayne simply kills the bloodsucker. But she learns of Brand's plan to depart by train to Berlin, so she and her few allies must stop the train before the scientist's vampire-research can be placed in other hands. This leads to a big train-battle in which Rayne destroys Brand and prevents the vampire serum from reaching Hitler.
Despite Pare's acting mojo, Brand is not that interesting a villain, and though Malthe seems more comfortable in her role this time, she's still just average in her delivery of badass lines. However, THIRD REICH-- surely the first time the phrase was ever used to denote a sequel-- has the best action-scenes of the three films, so that Malthe comes off as equal in that department to contemporaries like Beckinsale and Jovavich. Maybe Boll finally hired a fight coordinator worth his salt.
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