PHENOMENALITY: *marvelous*
MYTHICITY: *poor*
CAMPBELLIAN FUNCTION: *sociological*
Though I've frequently given ample space to serials that are top-of-the-line, the majority of them are pretty workmanlike, and don't reward close study. It's certainly not because many serials are cheap, since I've devoted full reviews to 90-minute horror films that might not be great, but may have some interesting theme or motif worth mentioning. American sound serials, however, offer almost nothing but action, and when action is handled in a repetitive manner, rather than by people who know how to make it fresh every time, the serial can become a study in tedium.
KING OF THE CONGO hails from the era when serials were beginning to be marginalized by television. It's a little surprising that the filmmakers chose to derive their scenario from a comic book that wasn't especially well known in its day. Of the three serials I cover here, CONGO had the greatest potential, which it didn't really exploit, though it's still the best of the three.
The serial's opening loosely resembles the setup of the 1950s jungle-comic, THUN'DA, KING OF THE CONGO, which concerned Roger Drum, a modern-day pilot, who crashed to earth in one of Africa's many unexplored valleys. In the comic, Drum enters a pocket "lost world" inhabited by both dinosaurs and primitive cave-people, and he becomes the leader of one such primitive tribe, who give him the name "Thun'da" to denote his leadership. The comic didn't keep the prehistoric elements very long, but CONGO presents them in an ambivalent fashion. There are of course no dinosaurs, which would have cost big bucks, but though there's a mysterious mist shielding the valley from the outside world, the script never explicitly says that the tribes living there are descended from prehistoric ancestors, even though the tribe that takes in Drum has a giveaway name like "the Rock People." Nevertheless, Drum's transformation into barely-clad jungle-hero is unusually faithful to the comic book origin.
However, Dtum isn't the only one to land in the mist-shrouded valley. A group of spies-- never explicitly called Communists, though they use terms like "comrade" to one another-- infiltrates the terrain, looking for a legendary mineral that might help them win the Cold War. The mineral gives CONGO a more marvelous nature than one finds in most jungle-serials. Though one can't be sure that the Rock People and their neighbors are direct descendants of Paleolithic types, the weird mineral is apparently the source of the enshrouding mists. It also has strange effects on those who come too close, for one episode's cliffhanger consists of Thun'da and another good guy getting "magnetized" to the side of a mineral-bearing rock.
Aside from the mystery of the miracle mineral, and the peregrinations of the prehistoric peoples, CONGO is largely another serial full of seesaw battles and little character interest. Buster Crabbe essays Thun'da, and though he was about 15 years older than he was in his Flash Gordon days, he still gave his role considerable charisma. Unfortunately, the spies are all one-note villains, so Thun'da doesn't have much to work with. One odd note is that in a couple of scenes the Rock People's elder seems to display limited magical powers-- he can foresee ongoing events in a crystal ball-- but there's no attempt to credit his powers to the miracle mineral or any other pseudoscience-explanation.
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